What Does a Feminist Look Like? Feminist Art and Activism T Studies Uor
Explore the ways artists from the past century take challenged gender roles and expectations.
Mar 8, 2022
Lea Lublin. Interrogations sur la Femme (Interrogations about Woman). 1978
For International Women's Day, join us every bit we explore how six artists working across a century used feminist strategies: empowering themselves and advocating for others, taking accuse of their self-expression, fostering bonds through collaboration, and pushing the boundaries of artistic mediums.
Masculine? Feminine? Information technology depends on the situation. Neuter is the merely gender that always suits me.
Claude Cahun
Claude Cahun, Marcel Moore. Untitled. 1921–22
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Consider the word "identity." What does it bring to heed? Cahun used the word "mask" to talk about their identity. What words would yous use to depict yours?
Hear from British author and filmmaker Juliet Jacques about the legacy of Claude Cahun's creativity and resistance.
I painted my ain reality.
Frida Kahlo
Frida Kahlo. Self-Portrait with Cropped Hair. 1940
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Listen to creative person and feminist Eva Luisa Rodríguez perform a spoken-discussion slice about Frida Kahlo.
Discover the relationship between art and identity through artworks by Kahlo and others.
Lookout Curator Anne Umland discuss works by Kahlo and other 20th-century Surrealist women artists in the video below.
Information technology doesn't bother me. Whether it's a craft or whether it'south art. That is a definition that people put on things.
Ruth Asawa
Ruth Asawa. Untitled. c. 1955
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Read Jillian Tamaki'southward illustrated story most Asawa's life.
Listen to 3 of Ruth Asawa's half dozen children hash out the creative person's process for making her looped wire sculptures in their family unit's home.
Explore other women who made abstract art during the mid-20th century.
Endeavour this activity inspired by Asawa'south prints of flowers.
Senga Nengudi. R.Due south.V.P. I. 1977/2003
I very much liked the thought of used pantyhose. Because when a woman wears pantyhose, she'south usually nether farthermost stress.
Senga Nengudi
Senga Nengudi manipulates fabricated and natural materials in ways that invite audiences to explore their relationships to their bodies and each other. Nengudi began her career amongst the Black Arts Move, which promoted Blackness empowerment in the 1960s and '70s through the arts and culture. During this time, she channeled her interests in Black identity, trip the light fantastic toe, Japanese culture, and spirituality into an fine art do and brought R.South.V.P. I to life.
Made from pantyhose filled with sand, stretched and tethered to the walls, R.S.Five.P. I mirrors what Nengudi calls the "elasticity" of women'south bodies, or their ability to stretch. This was influenced by her experience of changes to her torso during pregnancy. Some of the pantyhose Nengudi used were "infused with the energy of the women that wore them." In this way, R.S.V.P. I could be seen every bit a gathering—one you'd RSVP to—of the spirits of women who wore the nylons. Nengudi said, "...I find dissimilar means to use materials others consider useless or insignificant providing proof that the disregarded and disenfranchised may also have the resilience and reformative ability to discover their poetic selves."v
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Await closely at this prototype of Nengudi interacting with 1 of her R.S.V.P. sculptures. Notice what kinds of shapes or lines her body and the sculpture make. Call back virtually how your torso moves throughout the day, and how it occupies space in different ways.
Heed to Nengudi and her friend and collaborator Maren Hassinger talk virtually this work.
Consider R.Due south.V.P. I. with conservator Megan Randall every bit she reflects on how her life and connection to this artwork changed.
The women'southward movement…rarely talk[s] most their expectations of women of color and all people of colour, who frankly represent 85 percent of the planet.
Howardena Pindell
Howardena Pindell. Free, White, and 21. 1980
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Lookout Pindell's operation in Free, White and 21.
Listen to a discussion almost video art and Free, White, and 21 in this episode of A Piece of Work.
Explore more of Pindell'southward fine art and writings.
That is something that I want to scream from the mountain tops—how powerful and how knowledgeable the Indigenous women of the globe are.
Cara Romero
Cara Romero. Wakeah. 2018
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Endeavor this activity and consider which personal objects y'all might environment yourself with if yous were photographed like Wakeah. Where would your objects come from? What stories would they tell?
Listen to Romero discuss her journey to photography and an "within joke" most Wakeah'due south suitcase in the sectional audio interview below.
Ways to go along learning
Close information gaps related to gender, feminism, and the arts on Wikipedia with Art+Feminism.
Watch artists, scholars, and other thought leaders discuss various feminisms on Feminist Art Coalition's resource page.
Consider what ideas and stories prevarication behind other artworks in MoMA's drove with our online form Modern Art & Ideas
Observe the ways women artists used photography as a tool of resistance in the forthcoming exhibition Our Selves: Photographs by Women Artists from Helen Kornblum.
What stereotypes or gender expectations do you see or experience in your community? What makes you experience empowered and why?
Reflect on these questions to brand connections betwixt your life and the ideas these artists explore. Share your thoughts with us past emailing [email protected].
Source: https://www.moma.org/magazine/articles/685
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